What should we read next?
Below are some suggested further readings and discussions, please provide feedback and suggest other books.
Suggested Future Reading
JUBILEE by Margaret Walker
Here is the classic--and true--story of Vyry, the child of a white plantation owner and his black mistress, a Southern Civil War heroine to rival Scarlett O'Hara. Vyry bears witness to the South's prewar opulence and its brutality, to its wartime ruin and the subsequent promise of Reconstruction. It is a story that Margaret Walker heard as a child from her grandmother, the real Vyry's daughter. The author spent thirty years researching the novel so that the world might know the intelligent, strong, and brave black woman called Vyry. The phenomenal acclaim this best-selling book has achieved from readers black and white, young and old, attests to her success.
BENEATH THE LION'S GAZE by Maaza Mengiste
The brutal 1970s civil war in Ethiopia is the dramatic setting in this first novel, told from searing personal viewpoints that humanize the politics from many sides and without slick messages. The author, born in Addis Ababa and now living in New York, tells the story in unforgettable detail: between Emperor Haile Selassie in his lush palace set against the famine outside, captured in the image of a child gnawing on a stone. The focus is on the family of physician Hailu, first before the revolution and then after the brutal regime takes over. His older son tries to lead a quiet life and look the other way, until Hailu is taken and tortured. The younger son joins the mass demonstrations, exhilarated that change has come, then deflated when he confronts the new tyranny. The clear narrative voices also include the women in the family and others on all sides, who experience the graphic violence, both in the old feudal system, where a rich kid regularly rapes a servant, and in the new dictatorship with torture in the name of freedom. --Hazel Rochman
THEIR EYES WERE WATCHING GOD by Zora Neale Hurston
Zora Neale Hurston's Their Eyes Were Watching God is an "African American feminist classic" and a vibrant and achingly human novel. The syncopated beauty of Hurston's prose, her remarkable gift for comedy, the sheer visceral terror of the book's climax, all transcend any label that critics have tried to put on this remarkable work. First published amid controversy in 1937, then rescued from obscurity four decades later, the novel narrates Janie Crawford's ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny. Although Hurston wrote the novel in only seven weeks, Their Eyes Were Watching God breathes and bleeds a whole life's worth of urgent experience.
HALF OF A YELLOW SUN by Chimamanda Ngozi Adichie
A masterly, haunting new novel from a writer heralded by The Washington Post Book World as "the 21st-century daughter of Chinua Achebe," Half of a Yellow Sun recreates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in Nigeria, and the chilling violence that followed.
With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor's beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna's twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and they must run for their lives, their ideals are severely tested, as are their loyalties to one another.
Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race—and the ways in which love can complicate them all.
THE WEDDING by Dorothy West
Set on a bucolic Martha's Vineyard in the 1950s, The Wedding tells the story of life in the Oval, a proud, insular community made up of the best and brightest of the East Coast's black bourgeoisie. Within this inner circle of "blue-vein society," we witness the prominent Coles family gather for the wedding of their loveliest daughter, Shelby, who could have chosen from "a whole area of eligible men of the right colors and the right professions." Instead, she has fallen in love with and is about to be married to Mead Wyler, a white jazz musician from New York. A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community.
Through a delicate interweaving of past and present, North and South, black and white, The Wedding unfolds outward from a single isolated time and place until it embraces five generations of an extraordinary American family. It is an audacious accomplishment, a monumental history of the rise of a black middle class, written by a woman who has lived it. Wise, heartfelt, and shattering, it is Dorothy West's crowning achievement.
